Гуру ПесенAgatha Christie - 17-17 CD01 The Secret Of Chimneys | Текст песни
'So much for the Comrades of the Red Hand,' he remarked. 'Picturesque appearance, but easily routed by direct action. How the hell did that fellow get in, I wonder? There's one thing that stands out pretty clearly - this isn't going to be quite such a soft job as I thought. I've already fallen foul of both the Loyalist and the Revolutionary parties. Soon, I suppose, the Nationalists and the Independent Liberals will be sending up a delegation. One thing's fixed. I start on that manuscript tonight.'
Looking at his watch, Anthony discovered that it was nearly nine o'clock, and he decided to dine where he was. He did not anticipate any more surprise visits, but he felt that it was up to him to be on his guard. He had no intention of allowing his suitcase to be rifled whilst he was downstairs in the Grill Room. He rang the bell and asked for the menu, selected a couple of dishes and ordered a bottle of Chambertin. The waiter took the order and withdrew.
Whilst he was waiting for the meal to arrive, he got out the package of manuscript and put it on the table with the letters.
There was a knock at the door, and the waiter entered with a small table and the accessories of the meal. Anthony had strolled over to the mantelpiece. Standing there with his back to the room, he was directly facing the mirror, and idly glancing in it he noticed a curious thing.
The waiter's eyes were glued on the parcel of manuscript. Shooting little glances sideways at Anthony's immovable back, he moved softly round the table. His hands were twitching and he kept passing his tongue over his dry lips. Anthony observed him more closely. He was a tall man, supple like all waiters, with a clean-shaven, mobile face. An Italian, Anthony thought, not a Frenchman.
At the critical moment Anthony wheeled round abruptly.
The waiter started slightly, but pretended to be doing something with the saltcellar.
'What's your name?' asked Anthony abruptly.
'Giuseppe, monsieur.'
'Italian, eh?'
'Yes, monsieur.'
Anthony spoke to him in that language, and the man answered fluently enough. Finally Anthony dismissed him with a nod, but all the while he was eating the excellent meal which Giuseppe served to him, he was thinking rapidly.
Had he been mistaken? Was Giuseppe's interest in the parcel just ordinary curiosity? It might be so, but remembering the feverish intensity of me man's excitement, Anthony decided against that theory. All the same, he was puzzled.
'Dash it all,' said Anthony to himself, 'everyone can't be after the blasted manuscript. Perhaps I'm fancying things.'
Dinner concluded and cleared away, he applied himself to the perusal of the memoirs. Owing to the illegibility of the late Count's handwriting, the business was a slow one. Anthony's yawns succeeded one another with suspicious rapidity. At the end of the fourth chapter, he gave it up.
So far, he had found the memoirs insufferably dull, with no hint of scandal of any kind.
He gathered up the letters and the wrapping of the manuscript which were lying in a heap together on the table and locked them up in the suitcase. Then he locked the door, and as an additional precaution put a chair against it. On the chair he placed the water-bottle from the bathroom.
Surveying these preparations with some pride, he undressed and got into bed. He had one more shot at the Count's memoirs, but felt his eyelids drooping, and stuffing the manuscript under his pillow, he switched out the light and fell asleep almost immediately.
It must have been some four hours later that he awoke with a start. What had awakened him he did not know - perhaps a sound, perhaps only the consciousness of danger which in men who have led an adventurous life is very fully developed. For a moment he lay quite still, trying to focus his impressions. He could hear a very stealthy rustle, and then he became aware of a denser blackness somewhere between him and the window - on the floor by the suitcase.
With a sudden spring, Anthony jumped out of bed, switching the light on as he did so. A figure sprang up from where it had been kneeling by the suitcase.
It was the waiter, Giuseppe. In his right hand gleamed a long thin knife. He hurled himself straight upon Anthony, who was by now fully conscious of his own danger. He was unarmed and Giuseppe was evidently thoroughly at home with his own weapon.
Anthony sprang to one side, and Giuseppe missed him with the knife. The next minute the two men were rolling on the floor together, locked in a close embrace. The whole of Anthony's faculties were centred on keeping a close grip of Giuseppe's right arm so that he would be unable to use the knife. He bent it slowly back. At the same time he felt the Italian's other hand clutching at his windpipe, stifling him, choking. And still, desperately, he bent the right arm back.
There was a sharp tinkle as the knife fell on the floor. At the same time, the Italian extricated himself with a swift twist from Anthony's grasp. Anthony sprang up too, but made the mistake of moving towards the door to cut off the other's retreat. He saw, too late, that the chair and the water-bottle were just as he had arranged them.
Giuseppe had entered by the window, and it was the window he made for now. In the instant's respite given him by Anthony's move towards the door, he had sprung out on the Balcony, leaped over to the adjoining balcony and had disappeared through the adjoining window.
Anthony knew well enough that it was of no use to pursue him. His way of retreat was doubtless fully assured. Anthony would merely get himself into trouble.
He walked over to the bed, thrusting his hand beneath the pillow and drawing out the memoirs. Lucky that they had been here and not in the suitcase. He crossed over to the suitcase and looked inside, meaning to take out the letters.
Then he swore softly under his breath.
The letters were gone.
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