Manchester based producer Andy Stott has been unfurling his unique, dubby take on the techno continuum ever since his debut album Merciless got it’s widely acclaimed release in 2006. Looking back, his skeletal releases on the Modern Love label have proven nearly prophetic, preceding much that has evolved from the first wave of dubstep producers realising their ambitions in techno and house stylings. His work with Pendle Coven’s Miles Whittaker, released under the name Andrea, took him closest to actual dubstep regions, with the clattering percussion hinting at fond memories of a hardcore past. His more recent work took his deconstructive approach to further heights, with crumbling samples melded into shadows of house and techno, the dancefloor more of a distant throb than a call for functionality.
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