Préludes, livre 1 (1910), de Claude Debussy (1862-1918). Claudio Arrau, piano.
1. Danseuses de Delphes (00:00) 2. Voiles (3:16) 3. Le vent dans la plaine (7:37) 4. Les sons et les parfums tournent dans l'air du soir (9:54) 5. Les collines d'Anacapri (13:47) 6. Des pas sur la neige (16:50) 7. Ce qu'a vu le vent d'Ouest (20:54) 8. La fille aux cheveux de lin (24:27) 9. La sérénade interrompue (27:18) 10. La cathédrale engloutie (30:17) 11. La danse de Puck (37:02) 12. Minstrels (40:32)
Claude Debussy's Préludes are 24 pieces for solo piano, divided into two books of 12 preludes each. Unlike previous collections of preludes, such as those of J.S. Bach and Chopin's Op. 28, Debussy's does not follow a strict pattern of key signatures.
Each book was written in a matter of months, at an unusually fast pace for Debussy. Book I was written between December 1909 and February 1910, and Book II between the last months of 1912 and early April 1913.
The titles of the preludes are highly significant, both in terms of their descriptive quality, and in the way they were placed in the written score. The titles are written at the end of each work, allowing the performer to experience each individual sound world with fresh ears, without being influenced by Debussy's titles beforehand.
At least one of the titles is poetically vague: the exact meaning of Voiles, the title of the second prelude of the first book, is impossible to determine for certain, since plural nouns do not distinguish genders, as the singular forms may do (in French, voiles can mean either \"veils\" or \"sails\").
The title of the fourth prelude «Les sons et les parfums tournent dans l'air du soir» represents a citation from Charles Baudelaire’s poem Harmonie du soir from his volume of poems Les Fleurs du mal.