Franz Schubert (1797-1828) Episode 2 of 5: Death and the Maiden
Schubert never married but during his short life fell in love with several, mostly unattainable, women. In the summer of 1824 Schubert formed a passion bordering on the obsessive for Caroline Esterhazy who was thought to be the inspiration behind all Schubert's future works. The following year it was the spectacular scenery of Upper Austria which formed the creative impulse behind what came to be regarded as his greatest symphonic achievement. Donald Macleod introduces part of the symphony, plus a song-setting of words by the hugely popular Scottish novelist of the day - Sir Walter Scott, a set of variations for piano duo written for Caroline Esterhazy and the turbulent final movement from one of his best-loved quartets, written at a time of deep depression.
00:00 Franz Peter Schubert Deutscher with 2 trios and 2 Landler D.618 for piano duet Performer: Christoph Eschenbach. Performer: Justus Frantz.
00:05 Franz Peter Schubert 8 Variations on an original theme in A flat major D.813 for piano duet Performer: Alexandre Tharaud. Performer: Xiao-Mei Zhu.
00:24 Franz Peter Schubert Quartet in D minor D.810 (Death and the maiden) for strings Ensemble: Belcea Quartet.
00:35 Franz Peter Schubert Ellens Gesang 1 (Raste Krieger, Krieg ist aus) D.837 Performer: Graham Johnson. Singer: Marie McLaughlin.
00:46 Franz Peter Schubert Symphony no. 9 in C major D.944 (Great) Conductor: Sir Simon Rattle. Orchestra: Berlin Philharmonic Orchestra.
First broadcast: 03 Feb 2015 (b050xm2k) http://vk.com/wall-71199334_37