Dave Brubeck 1959 Time Out - Full Album | Текст песни

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Dave Brubeck 1959 Time Out

Artist: The Dave Brubeck Quartet
Album: Time Out
Original Release Date: December 14, 1959
Original Label: Columbia
Original Catalog No: CL 1397 (Mono) - CS 8192 (Stereo)
Reissue Date: 1997
Reissue Label: Columbia
Reissue Catalog No: CK-65122
Genre: Jazz
Styles: Cool, West Coast Jazz, Jazz Instrument, Piano Jazz
Run Time: 38:35.173 (102099144 samples)
File Size: 226 Megabytes (237,042,618 bytes)
Quality / Bitrate: reference libFLAC 1.3.0 20130526 / 802 Kbits / 44.1 KHz / Stereo
All compositions by Dave Brubeck, except \"Take Five\" by Paul Desmond

1. Blue Rondo а la Turk (Dave Brubeck) - 6:44
2. Strange Meadow Lark (Dave Brubeck) - 7:22
3. Take Five (Paul Desmond) - 5:24
4. Three to Get Ready (Dave Brubeck) - 5:24
5. Kathy's Waltz (Dave Brubeck) - 4:48
6. Everybody's Jumpin' (Dave Brubeck) - 4:23
7. Pick Up Sticks (Dave Brubeck) - 4:16

Dave Brubeck Arranger, Piano, Liner Notes
Paul Desmond Saxophone (Alto)
Eugene Wright Bass
Joe Morello Drums
Fred Plaut Engineer
Teo Macero Original Recording Producer
Mark Wilder Digital Mastering
Russell Gloyd Reissue Producer

Dave Brubeck's defining masterpiece, Time Out is one of the most rhythmically innovative albums in jazz history, the first to consciously explore time signatures outside of the standard 4/4 beat or 3/4 waltz time. It was a risky move -- Brubeck's record company wasn't keen on releasing such an arty project, and many critics initially roasted him for tampering with jazz's rhythmic foundation. But for once, public taste was more advanced than that of the critics. Buoyed by a hit single in altoist Paul Desmond's ubiquitous \"Take Five,\" Time Out became an unexpectedly huge success, and still ranks as one of the most popular jazz albums ever. That's a testament to Brubeck and Desmond's abilities as composers, because Time Out is full of challenges both subtle and overt -- it's just that they're not jarring. Brubeck's classic \"Blue Rondo а la Turk\" blends jazz with classical form and Turkish folk rhythms, while \"Take Five,\" despite its overexposure, really is a masterpiece; listen to how well Desmond's solo phrasing fits the 5/4 meter, and how much Joe Morello's drum solo bends time without getting lost. The other selections are richly melodic as well, and even when the meters are even, the group sets up shifting polyrhythmic counterpoints that nod to African and Eastern musics. Some have come to disdain Time Out as its become increasingly synonymous with upscale coffeehouse ambience, but as someone once said of Shakespeare, it's really very good in spite of the people who like it. It doesn't just sound sophisticated -- it really is sophisticated music, which lends itself to
cerebral appreciation, yet never stops swinging. Countless other musicians built on its pioneering experiments, yet it's amazingly accessible for all its advanced thinking, a rare feat in any art form. This belongs in even the most rudimentary jazz collection. ~ Steve Huey, All Music Guide.

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