Juno Reactor vs. Don Davis - Navras / fragment / : / featuring vocal elements by Lakshmi Shankar and Azam Ali / : / " Navras " - пер с санскр : " девять состояний " / Warner Bros. / Maverick : Music from the Motion Picture (2003) | Текст песни

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• Juno Reactor vs. Don Davis
• Navras / fragment / : / featuring vocal elements by Lakshmi Shankar and Azam Ali / : / " Navras " - пер с санскр : " девять состояний " / Warner Bros. / Maverick : Music from the Motion Picture (2003)

Bṛhadāraṇyaka Upaniṣad : बृहदारण्यक उपनिषद् 1.3.28

Asato ma sat gamaya | (असतो मा सद्गमय ।)
Tamaso ma jyotir gamaya | (तमसो मा ज्योतिर्गमय ।)
Mṛtyor ma amṛtam gamaya | (मृत्योर्मा अमृतं गमय ।)
Om shanti shanti shantihi || (ॐ शान्तिः शान्तिः शान्तिः ॥)

Веди меня от иллюзорного к Настоящему,
Веди меня от тьмы к Свету,
Веди меня от смерти к Бессмертию.
Да будет мир.

Брихадараньяка Упанишада 1.3.28

Pavamana Mantra

The Pavamana Mantra (pavamāna meaning "being purified, strained", historically a name of Soma), also known as pavamāna abhyāroha (abhyāroha, lit. "ascending", being an Upanishadic technical term for "prayer") is a Hindu mantra introduced in the Bṛhadāraṇyaka Upaniṣad (1.3.28.) The mantra was originally meant to be recited during the introductory praise of the Soma sacrifice by the patron sponsoring the sacrifice.

The text of the mantra reads:

asato mā sad gamaya, tamaso mā jyotir gamaya, mṛtyor māmṛtaṃ gamaya
This translates to:

"from the unreal lead me to the real, from the darkness lead me to the light, from the dead lead me to the immortal" (The three statements are also referred to as "the three Pavamana-Mantras").
The Sanskrit term sat, literally "what is existing, real", has a range of important religious meanings including "truth" or "the Absolute, Brahman". The passage immediately following the mantra explicitly identifies the unreal and darkness with death and the real and light with immortality, saying that all three portions of the mantra have the same meaning of "Make me immortal." In the interpretation of Swami Krishnananda (1977), "From the nonexistent, from the unreal, from the apparent, lead me to the other side of it, the Existent, the Real, the Noumenon." In keeping with the philosophy of Vedanta, the text rejects the material world as "unreal", "dark" and "dead" and invokes a concept of the transcendental reality (according to this interpretation)

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