“[Blood on the Sand] is the combat variation of the Daylight overworld suite. I used fiery North African percussion (performed by Doug Perry) as well as handclaps and a pulsing 5/8 cello riff (performed by Sebastian Freij) to give a driving action sound. Like the ambient variation of this overworld suite, this piece explodes in bright Arabic-esque statements of the main theme a few times as well.”
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