Группа с редкими записями Мадонны http://vkontakte.ru/club14277780
"Je suis l'Impératrice!" For those who have been spared the rigors of intelligence, that's French for "I'm the Empress" - the better half of You-Know-Who.Whatever I wear looks simply divine on me. When it comes to fashion influences, I do the influencing around here! It's exhausting, really. When I heard about la pièce de résistance, the Emperor's New Clothes, I had to give my approval. My husband - although loving and fair - isn't the sharpest knife in the drawer. I've got to watch out for him... and me. C'est la vie....I took one look at the Weaver's work and thought, Where's the joie de vivre, the sequins, the savoir faire? It's just so sans everything. Is this a sick joke? Then it dawned on me: In fashion it's important to make a statement. Have style. Take risks. Be bold. The Weavers had created a birthday suit simple in its elegance... yet daring in its transparency!If I wasn't so clever, I'd have missed it. Quelle bonne idée! I insisted they make one for MOI immediately. O single, inédito na net contém a versão original do filme e mais 3 remixes super raros.
The whole effect evoked the French Second Empire of a century earlier, the lush, moneyed social world presided over by the Empress Eugénie. Dior was clearly creating himself in the image of Charles Frederick Worth, the father of haute couture, dressmaker to the empress and her court, and to the whole affluent world. Dior was proposing to make empresses out of an emerging international clientele, and to re-establish France's pre-eminence as the source of serious fashion, just as the empress had done. Perón was the ideal client, an upstart with huge drive, deep pockets, and great beauty--as Eugénie had been in her time.