McCoy Tyner 1979 Horizon - 01 Horizon | Текст песни

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• McCoy Tyner 1979 Horizon
• 01 Horizon

McCoy Tyner Horizon
Label: Milestone Records M-9094
Format: Vinyl, LP, Album
Country: US
Released: 1980
Genre: Jazz
Style: Post-Bop

Tracklist Hide Credits
A1 Horizon /Composed By – M. Tyner*/ 11:58
A2 Woman Of Tomorrow /Composed By – J. Blake*/ 7:35
B1 Motherland /Composed By – J. Blake*/ 7:15
B2 One For Honor /Composed By – C. Fambrough*/ 4:27
B3 Just Feelin' /Composed By – M. Tyner*/ 7:42
Credits

Art Direction, Artwork By [Illustration] – Phil Carroll
Bass – Charles Fambrough
Congas, Percussion – Guilherme Franco (tracks: except B2)
Drums – Al Foster
Engineer – Rudy Van Gelder
Flute – George Adams (tracks: A2), Joe Ford (tracks: A2)
Piano – McCoy Tyner
Producer – Orrin Keepnews
Saxophone [Alto] – Joe Ford (tracks: B1)
Saxophone [Soprano] – Joe Ford (tracks: A1, B3)
Saxophone [Tenor] – George Adams (tracks: A1, B1, B3)
Violin – John Blake (tracks: except B2)

Notes
Recorded April 24 & 25, 1979 at Van Gelder Studio, Englewood Cliffs, NJ

1980 Milestone Records
Distributed by Fantasy® Records

McCoy Tyner has fronted many mid-sized ensembles, but this one ranks with the very best he has led. As violinist John Blake jives and jousts with alto and soprano saxophonist Joe Ford and the incendiary tenor saxophonist George Adams, Tyner realizes a perfectly balanced, extroverted, compatible and utterly unique front line. It enables him to offer some of the most remarkable, memorable and powerful music of his career. It all starts with the magnificent opener "Horizon," which goes though a variety of dynamic rhythm changes, clarion calls, tinkling or rumbling piano set-ups prior to the band bursting loose, Afro-Cuban incursions, concise, inspired solos, and all powered by absolute perfect rhythm navigating from drummer Al Foster aside colorful percussive inserts by Guilherme Franco. It is one of the greatest single compositions of Tyner's career...sheer genius, period. "Just Feelin'" has been a piece that endures, played by Tyner in alternate trio and big-band settings as well. A singsong line courtesy of the vibrant tenor of Adams and Ford's plaintive, angular soprano radiates warmth for Blake's soaring violin to feed off of, as bright as any super nova. Blake's composition "Woman of Tomorrow, " with the violinist, both horn players switching to flute, Tyner and bass anchor Charles Fambrough is a textbook clinic exercise in beauty. "Motherland" chugs along in fierce modal revelry, powered by the rock-solid bass of Fambrough, with Adams getting to the heart of it in his typical fiery fashion and Franco urging him on playing the shekere, while "One for Honor" with just piano-bass-drums is a stone-cold hard bop wonder. The front cover has a silhouette of Tyner's face superimposed as lightning strikes fronting a raging thunderstorm, a great piece of art, as is this extraordinary recording, which cannot come more highly recommended.

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