Musical "Cats" - Growltiger's Last Stand | Текст песни

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• Growltiger's Last Stand

Growltiger was a Bravo Cat who travelled on a barge
In fact he was the roughest cat that ever roamed at large
From Gravesend up to Oxford he pursued his evil aims
Rejoicing in his title of The Terror of the Thames

His manners and appearance did not calculate to please
His coat was torn and seedy, he was baggy at the knees
One ear was somewhat missing, no need to tell you why
And he scowled upon a hostile world from one forbidding eye

The cottagers of Rotherhithe knew something of his fame
At Hammersmith and Putney people shuddered at his name
They would fortify the henhouse, lock up the silly goose
When the rumour ran along the shore: Growltiger's on the loose!

Woe to the weak canary that fluttered from its cage
Woe to the pampered Pekinese that faced Growltiger's rage
Woe to the bristly bandicoot that lurked on foreign ships
And woe to any cat with whom Growltiger came to grips!

But most to cats of foreign race his hatred had been vowed
To cats of foreign name and race no quarter was allowed
The Persian and the Siamese regarded him with fear
Because it was a Siamese had mauled his missing ear

Now on a peaceful summer night all nature seemed at play
The tender moon was shining bright, the barge at Molsey lay
All in the balmy moonlight it lay rocking on the tide
And Growltiger was disposed to show his sentimental side

Growltiger's bucko mate Grumbskin long since had disappered
For to the Bell at Hampton he had gone to wet his beard
And his bosun Tumblebrutus, he too had stolen away
In the yard behind the Lion he was prowling for his prey

In the forepeak of the vessel Growltiger sat alone
Concentrating his attention on the lady Griddlebone
And his raffish crew were sleeping in their barrels and their bunks
As the Siamese came creeping in their sampans and their junks

Growltiger had no eye or ear for aught but Griddlebone
And the lady seemed enraptured by his manly baritone
Disposed to relaxation and awaiting no surprise
But the moonlight shone reflected from a thousand bright blue eyes

And closer still and closer the sampans circled round
And yet from all the enemy there was not heard a sound
The foe was armed with toasting forks and cruel carving knives
And the lovers sang their last duet in danger of their lives

Oh, how well I remember the Old Bull and Bush
Where we used to go down on a Sattadau night
Where, when anythink happened, it come with a rush
For the boss, Mr. Clark, he was very polite

A very nice house, from basement to garret
A very nice house. Ah, but it was the parret
The parret, the parret named Billy M'Caw
That brought all those folk to the bar
Ah, he was the life of the bar!
Of a Saturday night, we was all feeling bright
And Lily La Rose - the barmaid that was

She'd say, "Billy, Billy M'Caw!
Come give us, come give us a dance on the bar!"
And Billy would dance on the bar
And Billy would dance on the bar
And then we'd feel balmy, in each eye a tear
And emotion would make us all order more beer

Lily, she was a girl what had brains in her head
She wouldn't have nothing, no, not that much said
If it come to an argument or a dispute
She'd settle it offhand with the toe of her boot

Or as likely as not put a fist through your eye
But when we was happy, and just a bit dry
Or when we was thirsty, and just a bit sad
She would rap on the bar with that corkscrew she had

And say "Billy, Billy M'Caw!
Come give us a tune on your pastoral flute!"
And Billy'd strike up on his pastoral flute
And Billy'd strike up on his pastoral flute
And then we'd feel balmy, in each eye a tear
And emotion would make us all order more beer

"Billy, Billy M'Caw!
Come give us a tune on your moley guitar!"
And Billy'd strike

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