With Naqoyqatsi, Godfrey Reggio's "Qatsi" trilogy is finally completed. As each of the films was imbued with a distinct visual language, the music in like manner follows a development characteristic and distinctive to each film.
The score for Koyaanisqatsi (1982) grew out of the instrumental style typical of the ensemble of keyboards, winds, and voice for whom I had been composing for some years. The movement of the film from the organic images of the American Southwest to the hi-tech accelerated life of modern North American cities was reflected in my version of a modern synthesized music.
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