Гуру ПесенPrometheus Q&A - Part3 | Текст песни
CT: No, no, I think that kind of role, I don’t want to speak for Noomi but it was probably more Noomi’s character.
RS: Quite right.
CT: Yeah, it’s more her character.
RS: Yep.
Q: Noomi, did you feel like you had any pressure?
NR: No, we talked a lot and it’s not Ripley. The amazing thing with working with Ridley is, it feels like you are so much inside the characters and every character in the story and I never felt alone in there. We were doing quite disturbed things some days and it was quite tough and you came home and your mind and your soul and your body were a mess, but I always felt really happy. It never felt like I was carrying something really heavy on my shoulders, even though it was quite tough some days; it always felt like we were doing something together. And it’s definitely not Ripley but she feels like she’s in the same family, in a way, she’s a survivor and a fighter in the same kind of way, a little bit similar to Ripley.
RS: Ripley, not Ridley!
Chair: Michael, can we just talk a little bit more about David, and that layer in the movie of creators and the created, because David is created by Peter Weyland but the humans are also created…
CT: …or is he? I don’t know is he!?
MF: Yeah. I don’t think there is really a secret in that one!
Chair: Was there an attraction for you, playing that extra layer of a robot without a soul looking to become human, I guess?
MF: I don’t really know exactly what’s going on with David to be honest! There are a lot of things there. Because he’s the one android amongst humans, and the humans don’t really like having a robot around that looks like them, who can figure everything out quicker than them and is physically stronger than them. There’s something a little bit off-putting about that. Is that the future? It’s like the idea of engineering people for example. He’s asking his own questions. He’s curious like the gods in old Greek mythology being jealous of human beings for their mortality and for what that must be like to experience. Also, he has been programmed like a human being, so will his programming start to form its own personality outside of the system that was programmed? Or the idea of human beings – are we all programmed anyway as well? Is someone creating us? Are we programmed to go into a certain job, to make a certain decision at thirty two that will lead to something that happens at thirty five…is everything pre-programmed for us in life? That’s kind of interesting as well. Or do we have free choice in fact? So we just sort of played around with all those things. I just tried to keep it ambiguous. It was something that Ridley said to me at the beginning, when we’re watching him it’s like, ‘Is he taking the piss?’
RS: And actually you should mention the fact that it’s categorically not a secret, what he is. From the beginning, there is no point hiding it doing a science fiction movie today. To me it’s a nod to Ash as well. You can’t say it’s going to be a big deal to review somebody aboard the ship who is actually an android or a replicant or a robot, or whatever the hell you want to call him. It’s daft, it’s so normal. So what you delved into was another layer of a great deal of humour and wit, getting inside this character that you knew what he was from the very beginning, you think he is a housekeeper or a butler. Then what is he doing? He picks up dirt from the floor like a housemaid, but then he walks around very strangely. I thought you walked like that!
MF: There you go! The thing is, humour was what I wanted to start off with.
RS: I think he’s a very humorous character. You’re allowed to laugh in this.
MF: There is a lot of fun to be had with the character and that was something at the forefront of my mind. And the jealousy of seeing human beings and of being left out. Plus there is something quite childlike about him. He has two and a half years while everyone is aslee
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