"Good God! Don't jump!" A boy sat on the ledge. An old man who had fainted was revived. And everyone agreed it would be a miracle indeed If the boy survived.
"Save the life of my child!" Cried the desperate mother.
The woman from the supermarket Ran to call the cops. "He must be high on something," someone said. Though it never made The New York Times. In The Daily News, the caption read, "Save the life of my child!" Cried the desperate mother.
A patrol car passing by Halted to a stop. Said officer MacDougal in dismay: "The force can't do a decent job 'Cause the kids got no respect For the law today (and blah blah blah)."
"Save the life of my child!" Cried the desperate mother. "What's becoming of the children?" People asking each other.
When darkness fell, excitement kissed the crowd And made them wild In an atmosphere of freaky holiday. When the spotlight hit the boy, The crowd began to cheer, He flew away.
"Oh, my Grace, I got no hiding place."
a dramatic story involving drugs, violence and a mother and child relationship; the song "deals with individual crises in crowded urban settings, along with references to larger societal forces and at least a hint of some transcendent perspective; an audio sample of the band's first hit, "The Sound of Silence", softly plays during a cacophony of sounds near the end of the second track. John Simon, who was credited with production assistance on the song, created the bassline by playing a Moog synthesizer with help from Bob Moog himself. Churning, distorted groove and electronic instrumentation an accompanying textural element to the subject matter: suicidal suburban youth