In Kyrgyzstan, the ocarina has traditionally been considered a children’s instrument, but adults - both women and men - also play it. According to Nurlanbek Nyshanov, it was used as a signaling instrument by horsemen riding at night in the thick forests of southern Kyrgyzstan. Nurlanbek considers that his “Fantasy” preserves the basic features of music for chopo choor: short phrases, variation, repetition, and melodic fluidity. “The melody sounds traditional,” he says, “but I thought it up.”
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