East-West Studio album by The Paul Butterfield Blues Band Released August 1966 Recorded July 1966 Genre Blues Length 44:21 Label Elektra Producer Mark Abramson Paul Rothchild (1966) The Resurrection of Pigboy Crabshaw Track listing Side one No. Title Writer(s) Length 1. \"Walkin' Blues\" Robert Johnson 3:15 2. \"Get Out of My Life Woman\" Allen Toussaint 3:13 3. \"I Got A Mind to Give Up Living\" traditional 4:57 4. \"All These Blues\" traditional 2:18 5. \"Work Song\" Nat Adderley 7:53 Side two No. Title Writer(s) Length 1. \"Mary, Mary\" Michael Nesmith 2:48 2. \"Two Trains Running\" Muddy Waters 3:50 3. \"Never Say No\" traditional 2:57 4. \"East-West\" Mike Bloomfield, Nick Gravenites 13:10 Personnel Paul Butterfield — vocals, harmonica Mike Bloomfield — electric guitar Elvin Bishop — electric guitar, lead vocal on \"Never Say No\" Mark Naftalin — piano, organ Jerome Arnold — bass Billy Davenport — drums
Professional ratings Review scores Source Rating Allmusic East-West is the second album by The Butterfield Blues Band, released in 1966 on Elektra Records, EKS 7315 in stereo, EKL 315 in mono. It was recorded at the famed Chess Studios on 2120 South Michigan Avenue in Chicago. It peaked at #65 on the Billboard pop albums chart. Contents 1 Content 2 \"East-West\" track in music history 3 Track listing 3.1 Side one 3.2 Side two 4 Personnel 5 Charts 6 References 7 External links Content Like the band's record debut, this album features traditional blues covers and the guitar work of Mike Bloomfield and Elvin Bishop. Unlike the debut, Bishop also turns in some guitar solos, and drummer Sam Lay had left the band, to be replaced by Billy Davenport.[2] The social complexion of the band changed as well; ruled by Butterfield in the beginning, it evolved into more of a democracy both in terms of financial reward and input into repertoire.[3] One result was the inclusion of two extended jams at the instigation of Bloomfield following the group's successful appearance at The Fillmore in San Francisco during March alongside Jefferson Airplane.[4] Both reflected his love of jazz, as \"Work Song\" had become a hard bop standard, and the title track \"East-West\" used elements of modal jazz as introduced by Miles Davis on his ground-breaking Kind of Blue album. Bloomfield had become enamored of work by John Coltrane in that area, especially his incorporation of ideas from Indian raga music.[5] The album also included Michael Nesmith's song \"Mary, Mary,\" which Nesmith would soon record with his band The Monkees - although original pressings of East-West did not include a songwriter's credit for this track. On October 29, 2001, a reissue of this album remastered by Bob Irwin at Sundazed Studios and coupled with the debut appeared on Rhino WEA UK for the European market. \"East-West\" track in music history This section does not cite any references or sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. (August 2010) In 1996, former Butterfield Blues Band member Mark Naftalin (keyboards), who recorded on the album and is pictured on the cover of East-West, released a CD on his own 'Winner' label entitled East-West Live, comprising three extended live performance versions of the tune \"East-West\". Noted music critic and prolific author Dave Marsh contributed a substantial essay in the liner notes regarding the historic importance of the song, both the original 1966 recording and the live versions. Marsh, interviewing Naftalin, notes that the tune was inspired by an all-night LSD trip that \"East-West\"'s primary songwriter Mike Bloomfield experienced in the fall of 1965, during which the late guitarist \"sa