Артур Кампела (Arthur Kampela) - Bridges | Текст песни

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«Bridges» for solo viola (1995)
Paul Silverthorne, viola

The constant use of 'glissando' signals to the decaying of pitch centered materials, bridging or stretching clearly defined pitch/harmonic elements to their 'complementary' noise objects. Compositionally, this piece is built
using two types of interlocking motives: motoric "motives" (i.e. gestures, fingers' order, etc.) and complex rhythmic ones, generating two parallel discourses or voices throughout.

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