ОЛЕГ КИСЕЛЁВ - Том V АКВАРИУМНЫЕ РЫБКИ (1998) - БАЛЛАДА РЫЦАРЯ | Текст песни

• Тексты песен
• ОЛЕГ КИСЕЛЁВ - Том V АКВАРИУМНЫЕ РЫБКИ (1998)
• БАЛЛАДА РЫЦАРЯ

Том V АКВАРИУМНЫЕ РЫБКИ (1998)
Том XVI Аквариумные рыбки(2009)
Пьесы из этого сборника опубликованы в России,Канаде,Великобритании,Швейцарии
Рецензии из английского журнала "Классическая гитара"
Classical Guitar - January 2013

20 PIECES IN FIRST POSITION
by Oleg Kiselev
Les Productions d'OZ.
23pp.
Oleg Kiselev writes in an accessible and imaginative musical style and this cycle of 20 pieces explores
first position with a wide variety of melodic,rhythmic and textual ideas. Each piece has an imaginative title
and maintains a particular mood throughout.

There is a fairly wide range of difficulty here, from Song of the Spring Birds, a 16-bar single melodic line
in C major, up to complexities of three and four part, chords with accidentals in the capricious Small Fidget.
Care is taken to make everything easily playable, however, Melody lines are attractive, if predictable a range
of keys are used - Dream Waltz moves from E major to E minor: Cowboy and Girl from C major to E flat major.
Aquarium Fishes is effective in G major with unsettling accidentals. A range of time signatures and rhythmic
ideas are explored - Song About Russia is in 6/8 with a melody punctuated by pedal bass notes;
Steppe Breeze switches between semiquavers and quavers in repeated patterns over held bass notes.
Hasty Etude requires chromatic semiquaver passages and staccato.

The quirkily titled Incorribible Shirker of Lessons requires playful alternation of pizzicato
and golpe with swing quavers; Dancing Solar patches of Light has a simple waltz rhythm; Warm Summer Rain
has mostly continuous quaver movement throughout, requiring good right hand control.

Clearly set out, easy to read with no fingering and few extraneous markings., this volume is useful
for aiding the development of a sense of character and, mood in performance. Its carefully restricted
technical means makes it particularly suitable for capable young players ,in the grade two to four range.

Recommended.
Linda Ketsall-Barnett)

Classical Guitar - January 2013

AQUARIAN FISHES
YOUNG GUITARIST'S ALBUM
by Oleg Kiselev
Music Production International.
66pp.

This volume by the Russian guitarist and composer Oleg Kiselev contains 68 pieces aimed
at the younger player from the earliest stages up to an advanced level. There are four sections:
Fifty Pieces in First Position range from miniatures to around 36 bars in length; Ten Pieces For
Young People contains more complex musical ideas and textures and Provincial Suite and Ecological Suite,
each containing four pieces, embrace a far more complex sound-world. Throughout, titles are imaginative
(verging on the bizarre), aimed at inciting the imagination to help create an effective sound-picture.

The opening pieces in the first section {20 of which appear in Kiselev's separate volume Twenty Pieces in
First Position) are single-line or simple two-part exercises mostly moving by step with straightforward
rhythms and melodic shape: The Lost Kitten develops simple scalic work on the treble strings, introducing
a bass line; The Glutton Dance places the bass simultaneously with the melody; The Knight's Ballade has rests
in the bass line. Textures are developed through simple arpeggio exercises and chords. Contrasting moods are
encouraged through titles such as The Grandmother Recollects her Youth, Wake Up and My Mum's Favorite Ringtone,
and there is gradual inclusion of more complex technical requirements such as key signatures, accidentals and
a variety of rhythmical ideas. The title piece, Aquarian Fishes, contains triplet arpeggio figures and a
witty bass line with evocative chords - fun to play and shape dynamically, it falls easily under the fingers
and gives an effective result.

Ten Pieces For Young People requires a standard of playing around the grade four mark - An Old Rusty Knight's Sword,

marked recitando, is an evocative depiction moving from a chordal texture through pizzicato to strummed major seventh
chords, finally fading away with harmonics. Kite is a joy to play, moving around the fingerboard with an attractive
melody, appoggiaturas and an effective chord section. Towards Distant Shores is a quiet contrast with a profusion
of harmonics and After the Holiday creates its nostalgic tone with a sustained melody. I cannot imagine my students
wishing to play a piece titled 38.7 Temperature - marked serioso, this is a solemn creation in G minor. Invasion
has far more dramatic appeal with aggressive sliding chords and parallel fourths. Romance of a Christmas
Tree Thrown into a Dump, again in G minor, is appropriately, melancholy and the witty
Cowboy Who Was Lucky to Save His Scalp bounces around the fingerboard with swung quavers and staccato
chords in D major.

The Provincial Suite requires a playing level of at least Grade seven: On the Waves of My Memory is
inviting to play with a haunting melody and attractive sonorities in the displayed chords.
A repeated pattern of descending harmonics leads to a fitting repeat of the opening phrase,
To Moscow, To Moscow , has the feel of a fast agitated - jazz elements in the harmony and effective
sliding chords create a dramatic sense of momentum The Old Family Picture is more complex in texture
with shifts in tempo: Provincial| Beauty has challenging chromatic chord passages and a swing section to close.

The Ecological Suite looks extremely complex on the page but fits under the fingers well; tire four
pieces here are contemporary in feel and require good musical knowledge, understanding
of the fingerboard and an ability to articulate at speed. Dead River opens with demisemiquaver
figurations and includes a fast and dramatic rasgueado section; the waltz Dance of the Mutant in
Love includes the special effect of crossing the first two strings for a percussive effect and a
witty swing section, with a long run of triplets before its final chords. The Air Seller requires
a feeling of spaciousness with freedom to enjoy the harmonies and chromatic passages.
Asphalt Kids opens with a cool jazz theme. reminiscent of West Side Story, and proceeds,
with attitude, to involve parallel fourths and muted chord sections. A highly dramatic 8/8 section closes
with glissandi dawn the sixth string to Bartok pizzicato. This piece is fun to play a highly effective.

A huge range of material here, within one cover - and although it is aimed at the Young Guitarist,
there is much to enjoy for those who are, perhaps, outside this category.
(Linda Ketsall-Barnett)
https://vk.com/photo104713558_316815683

ОЛЕГ КИСЕЛЁВ - Том V АКВАРИУМНЫЕ РЫБКИ (1998) еще тексты