How many more times, treat me the way you wanna do How many more times, treat me the way you wanna do When I give you all my love, please, please be true
I'll give you all I've got to give, rings, pearls, and all I'll give you all I've got to give, rings, pearls, and all I got to get you together, baby I'm sure, sure you're gonna call Oh, wanna love some other man too
Ooh I was a young man, I couldn't resist Started thinkin' it over just what I had missed Got me a girl and I kissed her, and then, and then whoops, oh, no, yeah, well I did it again Now I've got ten children of my own I got another child on the way that makes eleven But I'm in constant Heaven
I know it's all right in my mind 'cause I got a little schoolgirl and she's all mine I can't get through to her 'cause it doesn't permit but I'm gonna give her everything I've got to give
Oh, Rosie, oh, girl Oh, Rosie, oh, girl Steal away, now, steal away Steal away, baby, steal away Little Robert Anthony wants to come and play A-why don'tcha come with me, baby, steal away All right, all right
Well, they call me the Hunter, that's my name Call me the Hunter, that's how I got my fame Ain't no need to hide, Ain't no need to run 'cause I've got you in the sights of my gun
How many more times, barrellhouse all night long, alright How many more times, barrellhouse all night long Well, I've got to get to you, baby So-whoa-whoa-whoa please come home Why don't you listen to me, babe Why don't you please come home Why don't you please come home Why don't you please come, oh
Пейдж во второй раз использует на альбоме скрипичный смычок (чего на концертных исполнениях песни практически не было), затем композиция въезжает в секцию «The Hunter» (фактически автор текста в этой секции — блюзовый исполнитель Альберт Кинг, после чего возвращается к своему первоначальному риффу. В «How Many More Times» нашла воплощение одна из студийных находок Джимми Пейджа: он разделил по колонкам партию гитары и запись возвратного эхо, создав в звуке своего рода «встречный» эффект
Большинство концертных исполнений «How Many More Times» приходятся на 1969 год, после чего многосекционные импровизации, которыми на сцене пополнялась композиция, «переехали» в «Whole Lotta Love», а сама песня была исключена из репертуара.